4,775 Royalty-Free Audio Tracks for "In C"

Sample of a saron key from an iron gamelan. Basic mic, some compression. The note is pelog 7, approximately a 'c'.

Record de la plaça de l'ajuntamentremembrance of the town hall square.

Left hand 12 bar boogie woogie pattern in c major at 140 bpm.

Cutting big piece of wood with the battery powered chainsaw from stihl.

Algerian scale. No pitch bend.

Standard old style flip switch. Recorder: sony tcd-d100 portable dat recordermicrophone: akg c 1000s.

A lengthier beep (oh, i'm mixing it up on you. ) once again, sampled from my phone, and once again, in c#.

Stereo meander waveform c3 recorded from analog synthesizer.

Chord progression with a borrowed chord second: v or Gm in C major.

A part of the melody que será (will i be pretty? will i be young). It is a monophonic part of musicit is a harmonic part of music.

I make this sound with serum on ableton live 10. Royalty free!if you like, follow me on my soundcloud:-> https://soundcloud. Com/user-777960719.

Heavily distorted monster drone in c, using a double bass and viola heavily processed in cubase. Please feel free to credit me if you're using it somewhere. . . ;)contact me for more info!!!.

Bass loop in c3 128 bpm. Wavi made this sound in ableton 9 using a synthdec. 11, 2014, 11:41 a. M.

*8 steps in 15 equal temperament on C = F♯↓ (Easley Blackwood's notation). Equal-tempered: 28/15:1 = 640 cents. MIDI pitch bend: 102,76 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~102,76 on Gb.

*Eighty-seventh harmonic on C = F+ (Ben Johnston's notation). Just: 87:64 = 531.53 cents. Equal-tempered: 25/12:1 = 500 cents. Limit: 29-limit. MIDI pitch bend: 11,74

*Thirty-third harmonic on C = C↑ (Ben Johnston's notation). 33/32 = 53.27 cents. Limit: 11-limit. MIDI pitch bend: 6,49 Other accidentals[edit] v • d • e #7 = 5·7 : 2·32 = 35 : 18 = -48.77 cents. vs. #L 11 = 3·11 : 25 = 33 : 32 = 53.27 cents. vs. U11 13 = 5·13 : 26 = 65 : 64 = 26.84 cents. vs. E1 17 = 3·17 : 2·52 = 51 : 50 = 34.28 cents. vs. L1 19 = 5·19 : 25·3 = 95 : 96 = -18.13 cents. vs. U19 23 = 2·23 : 32·5 = 46 : 45 = 38.05 cents. vs. U23 29 = 5·29 : 24·32 = 145 : 144 = 11.98 cents. vs. U29 31 = 31 : 2·3·5 = 31 : 30 = 56.77 cents. vs. 1E LE = 3·52 : 2·37 = 75 : 74 = 23.24 cents. vs. 37 41 = 41 : 23·5 = 41 : 40 = 42.75 cents. vs. U41 43 = 3·43 : 27 = 129 : 128 = 13.47 cents. vs. U43 47 = 24·3 : 47 = 48 : 47 = -36.45 cents. vs. U47 53 = 25·5 : 3·53 = 160 : 159 = -10.85 cents. vs. U53 #7, 11, 13, 17, 19, 23, 29, 31, 37, 41, 43, 47, 53... #L, U11, E1, L1, U19, U23, U29, 1E, LE, U41, U43, U47, U53...

Traditional song from Argentina sung by Juan Rodríguez. Disco Electra n° 153. Matrix n° 815. [1]

Created with surge, sp2016, love.

Traditional Turkish music played by Ahmed Djewdet. Polydor record n° V 43163. Matrix n° 243 Bn. [1]

Be Thou found by us recorded in Wilna. Gramophone matrix 1682z. [1]

Traditional song from Iraq performed by Badria Anwar [1]

Look at my page https://skibka-music. Blogspot. Com/. Morse code ss hq. A b c d e f g h i j k l m n o p q r s t u v w x y z. 1 2 3 4 5 6 7 8 9 0. . , ' _ : ? – / ( ) = @. Ą ć ę é ch ł ń ó ś ż ź. [a • — ] [b — • • •] [c — • — •] [d — • • ]. [e • ] [f • • — •] [g — — • ] [h • • • •]. [i • • ] [j • — — —] [k — • — ] [l • — • •]. [m — — ] [n — • ] [o — — — ] [p • — — •]. [q — — • —] [r • — • ] [s • • • ] [t — ]. [u • • — ] [v • • • —] [w • — — ] [x — • • —]. [y — • — —] [z — — • •]. [1 • — — — —] [2 • • — — —] [3 • • • — —]. [4 • • • • —] [5 • • • • •] [6 — • • • •]. [7 — — • • •] [8 — — — • •] [9 — — — — •]. [0 — — — — —]. [. • — • — • — ] [, — — • • — — ]. [' • — — — — • ] [_ • • — — • — ]. [: — — — • • • ] [? • • — — • • ]. [– — • • • • — ] [/ — • • — • ]. [( — • — — • ] [) — • — — • — ]. [= — • • • — ] [@ • — — • — • ]. [ą • — • — ] [ć — • — • • ] [ę • • — • • ]. [é • • — • • ] [ch — — — — ] [ł • — • • — ]. [ń — — • — — ] [ó — — — • ] [ś • • • — • • •]. [ż — — • • — •] [ź — — • • — ].

I had this idea yesterday i think, to record a set of chords in vocal with the lords name. This is the chord progression::. 1st. F g# c = f minor. 2nd. D f a# = i'm calling this a d minor augmented. This is really a bflat major chord, but since i started it with a 'd', i'm calling in a d minor augmented ; ) someone's gottago for it. 3rd. G# c d# = g# major. 4th. F a c = f major. Please enjoy and comment, if you use it in anything i would just like to know, but please feel free to use this anywhere. Thanks, god bless.

Fifteenth chord from Perry on C

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: yamaha cs-30lpatch name (pack): cs30-jp4loopnote: c3midi note: 48.

This could also work as a pad if you raise the value of the attack. I'm unable to recall exactly what i used to create this sound so feel free to tell yourself it came from whatever: a bird, some sort of whistle, maybe a whale song, etc. More importantly , please enjoy! -vanszi.

Foley of someone cleaning a window/glass surface with a dry cloth. Mic: scoeps c-mit 5.

Cello simple 8 bars with delay and reverbchord progression a , f , c , g. Recording at basement-productions508troy meier.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Top and bottom line without difference tones.

Britten's twelve-tone 'Screw' theme [4]divides into equivalent tetrachords, each a segment of the circle of fifths: D-A-E-B, F#-C#-G#-D#, Bb-F-C-G. Created by Hyacinth (talk) 03:10, 7 January 2012 (UTC) using Sibelius 5.

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C to C between the second and third chords. Note that there is no common chord.

Here We Come A-wassailing (title given as "Wassail Song" in the CD notes), a English Christmas and New Year's carol from c. 1850 performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010.

A seven note scale (c c# d# f f# g# a#) over separate octaves. Some notes repeat in the same octave, but are slightly different samples. Each note starts on the grid of 100bpm. Recorded the samples a few years ago. From memory the original sounds are sections of acoustic guitar notes, manipulated, pitched and fx added.

*Octave and septimal chromatic semitone on C = D♭ (Ben Johnston's notation). Just: 21:10 = 1284.47 cents. Limit: 7-limit. Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on 4,91 for 1284.472656 cents rather than 1200.

Mopho dave smith instruments basic wave sample - mopho c1.

Custom pad i created using tal sampler.

Sonata No. 14 in C Sharp Minor "Moonlight", Op. 27 No. 2, 2nd movement (allegretto)

A random 4/4 pattern in c major created by a child building with lego blocks and then transposed to musescore and exported as an mp3 file.

Piano Sonata No. 14 in C Minor, K. 457

A sneeze captured close to my microphone during a voiceover session. It was captured by an akg c-214 large diaphragm condenser microphone.